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Posts Tagged ‘Feminitity’

Glamour Project Images

May 9, 2011 Leave a comment

Images from my upcoming performance work BREED (aka Glamour Project) which focuses on notions of superficiality and hyperfeminisim.

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“Chalk Boundaries” Rehearsal Footage- GIRL!

January 23, 2010 Leave a comment

Today in rehearsal Eric had to leave early so I asked Rashana to fill in for him while we worked on this new section. The clip below is the beginning of the new section and it’s interesting how the tone changed in the studio when we did this section. The uncertainty of being offensive was apparent in everyone yet, the energy didn’t turn negative, just inquisitive. What came across my mind was how do bodies approach the gender that they don’t claim as their own? Especially if they’re attracted to them? This section is clearly a stereotypical depiction of one way, but it would be nice to continue to explore that idea more in the work.

“Chalk Boundaries” will be performed as a work in progress, Sunday, Feb. 7th on the Mershon Stage (Wexner Center for the Arts) at 1:30pm and 2:30pm.


Buddy, New Title, and Rehearsal Footage

January 16, 2010 Leave a comment

I have a new working title for my Buddy project,  “Chalk Boundaries”. I enjoy this title more because it resonates my idea that masculinity and femininity are terms that set up social guidelines for how people interact. I’m interested in toying with those guidelines through movement and through this work, show the many shades that these terms have.

This work will be performed as a work in progress, Sunday, Feb. 7th on the Mershon Stage (Wexner Center for the Arts) at 1:30pm and 2:30pm.

Below is a clip of rehearsal with the all male cast.

“Run” and Buddy Update

January 10, 2010 Leave a comment

After returning from break, alot has happened and shifted mentally when I think about “Run” and Buddy. Dancers have changed, and my concept has evolved.

Gender will be addressed in these works. As of now, in its early stages, I’m interested in how marked bodies interact with one another in social settings; in this case, the choreographic process, and how that impacts the work. This is more so a study of my choreographic processes in general, and trying to locate the social dynamics of having an all male cast and an all female cast of performers with a male choreographer.

The content of both works is influenced by the upcoming exhibition at the Wexner entitled Hard Targets, an art exhibition unraveling the idea of masculinity in sports. I want to use the work from this exhibit as a starting point to experiment with how male and female bodies handle this idea of masculinity. Is it a set idea? Does it truly exist? Does masculinity and feminitity generate set values in our lives? How can we disrupt these ideas in our lives and in dance?

I choreograph to create work that can be visually appealing, while providing a tangible representation, or even reflection,  of the social environments that we are continually involved in. Hopefully, these works will help further push myself as a choreographer to find new manners to tackle that task.

Below is a print of Hank Willis Thomas’ Scarred Chest from the exhibit that I find intriguing.